Los Angeles Times analysis of the 2019 Tony Awards sees legendary theatre analysts and critic rave about Hadestown being one of the best musicals he has seen in his 25 years of analysis. Charles McNulty writes the following: “Based on the 2010 concept album by Anaïs Mitchell, this folk opera with a New Orleans soul is quite simply one of the most exquisite works of musical storytelling I’ve seen in my more than 25 years as a theater critic. Directed by Rachel Chavkin with all the ingenuity she brought to her previous Broadway game-changer, “Natasha, Pierre, & the Great Comet of 1812,” the production harmonizes its elements into a Wagnerian dream of a total artwork.”

NY Times Calls Hadestown “Gorgeous” – A Musical Like No Other

The Hollywood Reporter Review: “Utterly Fabulous”

April 17, 2019 – Wall Street Journal states Hadestown is the best musical on Broadway since Hamilton

DC Theatre Scene – HOT!, HOT!, HOT! – An Absolute Rave About Hadestown

Popdust.com says “Broadway Will Never Be The Same” after Hadestown

Washington Post on the show that “takes you to hell and back”

Independent review from Tiny-Journey.com

Variety Review – April 2019

Burlington Free Press examines Hadestown from Vermont production to Broadway.

Independent Review from NRDC.org

The Variety review from London performances

Vulture.com take on the journey Hadestown took to get to Broadway

NewStatesmen.com review from London

New York Times Off-Broadway review from 2016